Several large and popular pieces of outdoor art on the Ferris State University campus are getting much-needed attention this summer, undergoing maintenance to keep them inspiring students and community members for years to come.
Restoration efforts are already underway for The World Globe and Breathe, while Muse will undergo work later this year.
Carrie Weis, Ferris State’s Museum and Gallery director, said these projects represent more than maintenance; they are investments in the cultural legacy of our community.
Weis said almost everywhere people go in Big Rapids, they will encounter public art. From the life-size bronze memorial of Anna Howard Shaw that has stood watch over our community for decades to the recent installation of The Bird by local artist Jim Warner at North End Park, public art has become an integral part of the region’s landscape.
While the unveiling of a new sculpture or mural often captures headlines and public excitement, Weis said the long-term care of existing works is what ensures they remain vibrant, meaningful, and accessible for generations to come.
“Public art does far more than beautify our streets, parks, and gathering places. It tells our story. It reflects who we are, what we value, and how we define ourselves as a community,” she said. “Public art creates landmarks that become woven into our daily routines and shared memories. It sparks curiosity, inspires conversation, and gives character to the places we call home.”
Weis said that like any community asset, public art requires ongoing care and stewardship.
That responsibility is at the heart of the work of The Public Art Collective. Now in its third year, TPAC is a collaboration between Ferris State and the city of Big Rapids.
The group’s steering committee includes university employees, city representatives, Artworks, the Mecosta County Visitors Bureau, and community members who share a commitment to growing, preserving, and celebrating public art.
“Together, we believe that caring for the art we already have is just as important as creating something new,” she said.
Restoration also provides an opportunity to think more broadly about how people experience public art. As part of these projects, TPAC is working to enhance sites with interpretive signage, improved lighting, and seating where appropriate.
“These additions help residents and visitors engage more deeply with the artwork and the stories behind it,” Weis said. “A bench invites someone to pause and reflect. Lighting improves visibility and safety while creating new opportunities to experience art after dark. Interpretive signs provide context about the artist, the creative process, and the significance of the work itself.”
These improvements are part of placemaking efforts, creating spaces where people feel connected, welcomed, and engaged.
Public art plays a powerful role in that effort. It transforms ordinary locations into destinations. It encourages exploration and conversation. It strengthens community identity and helps create a sense of belonging.
“When we care for public art, we also care for our public spaces. We are investing in civic pride, quality of life, and the unique character that distinguishes Big Rapids from every other community,” Weis said. “We are ensuring that future generations can enjoy the same works that inspire us today. Most importantly, we are demonstrating that the things we value are worth preserving.”
Public art belongs to all of us, and its stewardship is a shared responsibility. Through restoration, accessibility improvements, and thoughtful placemaking efforts, TPAC is helping ensure that the Ferris and City of Big Rapids artistic legacy remains a vibrant and visible part of our community for years to come.
Weis said rededication celebrations are planned for when the works are reinstalled.
A free copy of “The Public Art Collective: A Guidebook to Public art in Big Rapids, Michigan” is available at Artworks, 106 N. Michigan Ave. Updates also will be posted on social media.
Release and photo courtesy of Ferris State University.
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